MARTINA DELLA VALLE | FRAMED MEMORIES Through The Looking Glass | Group show CHRISTTO & ANDREW | MUDDY WATERS ANTOLOGIA | group show Michele Buda | Accademia ARTE FIERA 2018 / PHOTO POLIS / Artworks | Spazio Carbonesi From my point of view | Group show ARTIFACT PRIZE 2018 Sanna Kannisto | A song system Annabel Elgar | The Dust in my Pocket MARTINA DELLA VALLE | WORKSHOP: ONE FLOWER ONE LEAF ART VERONA 2018 CHRISTTO & ANDREW | ENCRYPTED PURGATORY Martina della Valle | UNEXPECTED NEIGHBORS PARIS PHOTO 2018 | TAISUKE KOYAMA ARTEFIERA 2019 TILO&TONI | In ​​the Woods the Waterfall is Rushing PHOTO LONDON 2019 | KENTA COBAYASHI & TILO&TONI Projection | Ohio #13 Kenta Cobayashi | FOTOGRAFIA EUROPEA TAISUKE KOYAMA | SOLO SHOW NESSUN DORMA UNSEEN 2019 ANTROPOTECNICHE | Group show METRONOM VIDEO WALL The Garden PARIS PHOTO 2019 | OLAF BREUNING DON'T MAKE THEM TELL YOU WHERE THEY COME FROM KENTA COBAYASHI | Portraits ARTE FIERA 2020 Martina della Valle for RESISTANCE & SENSIBILITY: Women Photographers From Italy NATURE IN PLAY PARIS PHOTO NEW YORK 2020 DIGITAL VIDEO WALL | EDEN | RUBY GLOOM DIGITAL VIDEO WALL | EDEN | JOSEPH DESLER COSTA ANCIENT IS ALIVE PHOTO VOGUE FESTIVAL 2020 Generazione Critica #6 Fasten Your Seatbelt DIGITAL VIDEO WALL | EDEN | ALICE PALAMENGHI DIGITAL VIDEO WALL | EDEN | EVA PAPAMARGARITI GENERAZIONE CRITICA #7 - STILL aLIVE Digital Deviations | Helen Anna Flanagan DIGITAL DEVIATIONS | BARON LANTEIGNE DIGITAL DEVIATIONS | CLAIRE HENTSCHKER Del resto i costumi cambieranno molto Lend Me Your Face: Go Fake Yourself! Annabel Elgar | La sicurezza degli oggetti Fuel my fire | Niccolò Morgan Gandolfi MINIMI NATURALI AIN'T FREE | DIGITAL VIDEO WALL #3 Underw[h]e(a)re | DIGITAL VIDEO WALL #3 CHUN-LI | DIGITAL VIDEO WALL #3 Structure of a Flow UNCANNY VALLEY | DIGITAL VIDEO WALL #3 UNTOUCHED | DIGITAL VIDEO WALL #3 FILTRO | DIGITAL VIDEO WALL #3 THE ABSENCE | ATTILIO SOLZI CAMERA LUDICA | MARCO DE MUTIIS YELENA YEMCHUK | CHARACTERS JUST ANOTHER DAY AT THE OFFICE | DIGITAL VIDEO WALL #4 LO STRANO ORDINE DELLE COSE | TAISUKE KOYAMA SLEEP MADE SIMPLE | DIGITAL VIDEO WALL #4 @REALSELFCINDY | DIGITAL VIDEO WALL #4 EKPYROSIS | DIGITAL VIDEO WALL #4 AUTORITRATTO | MATTEO MESSORI STEALING UR FEELINGS | DIGITAL VIDEO WALL #4 IL PARADOSSO DEL TENERE MENTRE SI DÀ OVERPOPULATION | DIGITAL VIDEO WALL #4 SPROVERBI | ORECCHIE D'ASINO BEGINNINGS | PHOTO VOGUE FESTIVAL 2023 IL SESSO NELLE CAMERE D'ALBERGO METAMORPHOSIS #1, DVW | MORNING STUDIO METAMORPHOSIS #2, DVW | PALLE TORSSON METAMORPHOSIS #3, DVW | ZIYANG WU & MARK RAMOS PUNTO DI ROTTURA METAMORPHOSIS #4, DVW | SABRINA RATTÉ METAMORPHOSIS #5, DVW | TOTAL REFUSAL METAMORPHOSIS, DVW | Review curated by Gemma Fantacci I DON'T CARE (ABOUT FOOTBALL)
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DIGITAL DEVIATIONS | CLAIRE HENTSCHKER



Ghostcoaster Reconstruction (2021) by Claire Hentschker is the third video intervention in the programming of Digital Deviations, third edition of DIGITAL VIDEO WALL, an annual project promoted by METRONOM, structured in thematic chapters, and aimed at promoting the dissemination and experimentation of digital art.

 

Ghostcoaster Reconstruction is a video work that uses found footage of the now destroyed Star Jet roller-coaster to digitally reconstruct an experience that is no longer available: Star Jet was destroyed by Hurricane Sandy in 2012 and thrown completely into the sea like all the surrounding built-up area. Star Jet was beloved by New Jersey citizens and many of them filmed themselves riding it and that archived it on YouTube prior to 2012.

 

This 360 ° navigation of a three-dimensional space is created by the artist Claire Hentschker using photogrammetry, a 3D modeling technique that uses images of real objects and spaces - in this case YouTube videos - to create dreamlike representations of reality: Hentschker's roller-coaster does not exist (or, better, doesn't exist anymore) but arises from the fragmented and distorted superimposition of pre-existing images. This shift form archive to re-writing is also made evident by the progressive loss of sharpness that underlines the beginning of the Reconstruction.

 

In Ghostcoaster Reconstruction, Hentschker questions the concepts of realism and objectivity in photography by presenting a complex and articulated structure of meticulously unraveled and recomposed data, in an assembly that is not only made up of images but also of experiences and experiences that belong to those places, and where human intervention is limited to the collection and manipulation of data.

 

©cover images: Claire Hentschker, Ghostcoaster Reconstruction, 2021, still

Claire Hentschker
Ghostcoaster Reconstruction
Digital Video Wall, Metronom, Via Carteria 10 / 41121 Modena
16 May - 22 June 2021
info@metronom.it / 059 239501 / www.metronom.it


 




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